Epigram on the First of April
Nature is rising from the dead,
Frost and Scythian snows are fled;
Boreas to his cavern creeps,
And, tired with winter-blust'ring sleeps.
Soft zephyrs from the ocean move,
The birthplace of the Queen of Love,
And o'er the meadows, hills and dales
Play with their sweet reviving gales;
Chasing all discontent and care
And ev'ry sadness, but despair.
Ah! Chloe, when, my charming fair?
John Winstanley ,1732
And a brief note on the classical allusions:
Scythia = the old name for the Russian steppe, it was a byword for cold.
Boreas = the personified north wind
Zephyrs = the mild west wind
The Queen of Love = the goddess Venus who rose from the sea, as in Boticelli's painting.
N.B. Not one fool.
Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts
Sunday, 1 April 2012
Wednesday, 18 January 2012
The Fifty Most Quoted Lines of Poetry
This post has already gone up twice; but, as it's the one on which I worked hardest, and as this blog is always gaining and losing adherents, I see no reason not to wheel it out for a third time. As the Bellman remarked, "What I tell you three times is true".
The idea of the post is simple. When you type a phrase into Google, Google tells you how many hits that phrase gets on the Internet, or how many pages contained that exact line.
It should be stated before we begin that Google is, for a computer program, often strangely illogical and inconsistent, but it's the best we've got. The number of hits is listed after the line. Click on the author's name for the full poem.
Counting down from number fifty...
49. Full fathom five thy father lies 438,000 Shakespeare
48. If you can keep your head when all about you 447,000Kipling
47. How do I love thee? Let me count the ways 467,000Elizabeth Barrett Browning
46. If music be the food of love, play on 507,000 Shakespeare
45. We few, we happy few, we band of brothers 521,000Shakespeare
44. What is this life if, full of care,/We have no time to stand and stare 528,000 W.H. Davies
43. The moving finger writes; and, having writ,/Moves on571,000 Edward Fitzgerald
42. They also serve who only stand and wait 584,000 Milton
41. The quality of mercy is not strained 589,000 Shakespeare
40. In Xanadu did Kubla Khan 594,000 Coleridge
39. Friends, Romans, countrymen, lend me your ears 615,000Shakespeare
38. Shall I compare thee to a summers day 638,000 Shakespeare
37. Season of mists and mellow fruitfulness 641,000 Keats
36. A thing of beauty is a joy forever 649,000 Keats
35. Do not go gentle into that good night 665,000 Dylan Thomas
34. Busy old fool, unruly sun 675,000 John Donne
33. Stop all the clocks, cut off the telephone 741,000 Auden
32. Human kind/Cannot bear very much reality 891,000 T.S. Eliot
31. O Romeo, Romeo; wherefore art thou Romeo 912,000Shakespeare
30. The lady doth protest too much, methinks 929,000Shakespeare
29. The old lie: Dulce et Decorum Est 990,000 Wilfred Owen
28. Rose is a rose is a rose is a rose 1,050,000 Gertrude Stein
27. When I am an old woman I shall wear purple 1,060,000Jenny Joseph
26. I think that I shall never see/A poem lovely as a tree. 1,080,000 Joyce Kilmer
25. Hope springs eternal in the human breast 1,080,000 Alexander Pope
24. When in disgrace with fortune and men's eyes 1,100,000Shakespeare
23. I grow old... I grow old.../I shall wear the bottoms of my trousers rolled 1,140,000 T.S. Eliot
22. 'The time has come', the Walrus said,/'To talk of many things'1,300,000 Lewis Carroll
21. A narrow fellow in the grass 1,310,000 Emily Dickinson
20. Beauty is truth, truth beauty; that is all 1,470,000 Keats
19. To be or not to be: that is the question 1,640,000 Shakespeare
18. In Flanders fields the poppies blow 1,640,000 John McCrae
17. The proper study of mankind is man 1,770,000 Alexander Pope
16. A little learning is a dangerous thing 1,860,000 Alexander Pope
15. But at my back I always hear 2,010,000 Marvell
14. Candy/Is dandy/But liquor/Is quicker 2,150,000 Ogden Nash
13. My mistress’ eyes are nothing like the sun 2,230,000Shakespeare
12. Things fall apart; the centre cannot hold 2,330,000W.B.Yeats
11. Because I could not stop for death/He kindly stopped for me 2,360,000 Emily Dickinson
10. Tis better to have loved and lost/Than never to have loved at all 2,400,000 Tennyson
9. Look on my works, ye mighty, and despair 3,080,000 Shelley
8. To strive, to seek, to find, and not to yield 3,140,000 Tennyson
7. Tread softly because you tread on my dreams 4,860,000 W.B. Yeats
6. Not with a bang but a whimper 5,280,000 T.S. Eliot
5. And miles to go before I sleep 5,350,000 Robert Frost
4. I wandered lonely as a cloud 8,000,000 Wordsworth
3. The child is father of the man 9,420,000 Wordsworth
2. I am the master of my fate 14,700,000 William Ernest Henley
1. To err is human; to forgive, divine 14,800,000 Alexander Pope
Shakespeare doesn't make the top ten and Gertrude Stein is more quoted than Byron. Bet you didn't see that coming.
And many, many thanks to the Antipodean for these (click to enlarge):

Our rules were that:
1) it had to be a whole line of poetry (minimum 8 syllables) that
2) hadn't become famous as a title (e.g. Eternal sunshine of the spotless mind)
3) or as a song (e.g. And did those feet in ancient time)
4) or is pretty exclusively for children (e.g. I do not like green eggs and ham).
5) The phrases were googled in "inverted commas", which gives you only pages with the precise phrase.
6) No more than one line per medium sized poem.
Originally I didn't allow tetrameters, or at least required a couplet, however "The child is father of the man" changed our minds as it's the second place on its own and nowhere when linked with the adjacent lines. These rules have been broken a few times at our discretion.
P.S. Google is sometimes eccentric on the number of hits, which can vary by clicking refresh. This is because it keeps adjusting to deal with spam and people trying to fool Google in to high rankings for their page. So sometimes it does odd things with line-breaks or even gives more results when there are more words in the search, which is utterly illogical. They also seem to vary slightly by country. Robert Frost's lines dipped slightly (or I noted them down incorrectly). The final arbiter has to be what pops up on my screen when I try the line in inverted commas.
P.P.S. Because of the demands of work, I shall not be able to leap upon corrections, suggestions and amendments with my usual predatory alacrity. These were measured back in February 2010 and may have changed. My attitude to such ructions and revolutions will be, I am afraid, utterly idle. I refer complainers to the Bellman.
The winner.
Friday, 1 July 2011
Rhinos, Viagra, Sanskrit Tigers and an Obscene Poem
Rhinos was the Greek word for nose. That's why a nose-job is rhinoplasty and a creature with a horn, or ceros, on its nose is a rhinoceros. Rhinoceroses (the Greek plural would, apparently, be rhinocerotes) have had a bad time, largely because of impotent chaps in China. Powdered rhino horn was believed to be an aphrodisiac and so black rhinos in particular were hunted to near extinction.As an interesting scientific aside, I met a chap who runs a reserve for black rhinos in Africa somewhere. He had gone round the reserve sedating rhinos, drilling a hole in their horns and implanting a microchip so he could track them if they were poached. The result of this was that he ended up with a fair amount of pulverised rhino horn. He powdered it, drank it all and waited.
There was no effect.
Anyway, this chap was of the opinion that what had really saved the rhino from poached extinction was not the nature reserves or the microchips, but Viagra. Nobody needs or wants rhino horn any more, because they've got a drug that actually works.
Nobody is quite sure where the name Viagra comes from, but it seems an awfully odd coincidence that vyagra is the Sanskrit word for tiger. This would mean, if true, that the tiger saved the rhinoceros.
However, even if Viagra has saved the rhino, it has destroyed something far more beautiful. Nobody is going to write poems like this anonymous gem from the late seventeenth century. However, as it's just a little bawdy, I'll put it after a jump break. Click Read More if you're filth.
Sunday, 26 June 2011
Bout-Rimés
There's an anonymous poem of 1747 called The Poetess's Bouts-Rimés. It starts as a woman's prayer to Apollo concerning a fellow she has a crush on. But half way through, she realises that she may reveal too much, so she decides just to give you the rhymes and let you guess the rest.The poem goes thusly:
Dear Phoebus, hear my only vow;
If e'er you loved me, hear me now.
That charming youth - but idle Fame
Is ever so inclined to blame -
These men will turn it to a jest;
I'll tell the rhymes and drop the rest
te-TUM-te-TUM-te-TUM desire,
te-TUM-te-TUM-te-TUM-te fire,
te-TUM-te-TUM-te-TUM-te lie,
te-TUM-te-TUM-te-TUM-te thigh,
te-TUM-te-TUM-te-TUM-te wide,
te-TUM-te-TUM-te-TUM-te ride,
te-TUM-te-TUM-te-TUM-te night,
te-TUM-te-TUM-te-TUM-te delight.
I invite you, dear reader, to fill in the blanks. Obscenity is not necessary, but it will be appreciated. Incidentally, this sort of competition is called bout-rimés, or end-rhymes.
Tuesday, 21 June 2011
Periphrasis and Paraphrase
Samuel Johnson's great poem The Vanity of Human Wishes, which is a sort of reworking of Juvenal's 10th Satire, opens with the lines:Let Observation with extensive view
Survey mankind from China to Peru...
Samuel Taylor Coleridge (rather unkindly) rewrote this as:
Let Observation with extensive observation
Observe mankind extensively.
But just before doing so, Coleridge made some interesting points about poetry. Here's the context:
As we walked up Mr. Cambridge's meadows towards Twickenham, he [Coleridge] criticized Johnson and Gray as poets, and did not seem to allow them high merit. [That's Gray who wrote Gray's Elegy in a Country Churchyard] The excellence of verse, he said, was to be untranslatable into any other words without detriment to the beauty of the passage; — the position of a single word could not be altered in Milton without injury. Gray's personifications, he said, were mere printer's devils' personifications — persons with a capital letter, abstract qualities with a small one. He thought Collins had more genius than Gray, who was a singular instance of a man of taste, poetic feeling, and fancy, without imagination. He contrasted Dryden's opening of the 10th satire of Juvenal with Johnson's: -
"'Let observation, with extensive view,
Survey mankind from Ganges to Peru.'
which was as much as to say, -
"'Let observation with extensive observation observe mankind.'
"After dinner he told us a humorous story of his enthusiastic fondness for
Quakerism, when he was at Cambridge, and his attending one of their
meetings, which had entirely cured him. "
And in case you were wondering how Dryden did it, he managed the same couplet in five words:
Look round the habitable world, how few
Know their own good; or knowing it, pursue.
How void of reason are our hopes and fears!
What in the conduct of our life appears
So well design'd, so luckily begun,
But, when we have our wish, we wish undone?
But I prefer Johnson's.
Observation, you have your task.
Read more about:
Coleridge,
Dr Johnson,
Pleonasm,
Poetry
Sunday, 19 June 2011
Isaac Watts
Hidden right in the middle is a monolithic monument to Isaac Watts, whose writings, dear reader, you are familiar with.
What's that? You've never read any Isaac Watts? Well, you have. Sort of.
Do you remember the poem in Alice's Adventures in Wonderland that goes:
How doth the little crocodile
Improve his shining tail,
And pour the waters of the Nile
On every golden scale!
How cheerfully he seems to grin,
How neatly spreads his claws,
And welcomes little fishes in
With gently smiling jaws!
You do? Do you remember how it is introduced? Alice says:
I'll try and say 'How doth the little - '," and she crossed her hands on her lap as if she were saying lessons, and began to repeat it, but her voice sounded hoarse and strange, and the words did not come out the same as they used to do...
The lesson that Alice is trying to recite was Against Idleness and Mischief. It's a moral poem by Isaac Watts, who was an eighteenth century moralising poet, theologian and hymn-scribbler. The original starts like this:
How doth the little busy bee
Improve each shining hour
And gather honey all the day
From every opening flower!
How skillfully she builds her cell!
How neat she spreads the wax!
And labours hard to store it well
With the sweet food she makes.
And then it goes on to be the origin of another terribly well known phrase:
In works of labour or of skill,
I would be busy too;
For Satan finds some mischief still
For idle hands to do.
In books, or work, or healthful play,
Let my first years be passed,
That I may give for every day
Some good account at last.
So that's two bits of the same poem that you sort of know, isn't it? Did your mother ever tell you that birds in their little nests agree? Mine did. That's another of Isaac's. The full verse goes like this:
Birds in their little nests agree;
And 'tis a shameful sight,
When children of one family
Fall out, and chide, and fight.
Mind you, you can also kill two birds with one stone, which is how I dealt with my siblings. My old physics teacher told me that time always was always marked on the X axis of a graph because:
Time, like an ever-rolling stream,
Bears all its sons away;
They fly forgotten, as a dream
Dies at the opening day.
As you can probably tell, Isaac Watts combined tediousness with talent in roughly equal helpings. So I am complimenting him when I say that he was pretty damned tedious. Victorian children were forced to learn and recite all his awful moralisings.
However, his poetry can be turned on its head. For example, he wrote a thoroughly condemnatory poem called The Sluggard that begins:
'Tis the voice of the sluggard; I heard him complain,
"You have waked me too soon, I must slumber again."
As the door on its hinges, so he on his bed,
Turns his sides and his shoulders and his heavy head.
Which I think I shall print out and pin to the door of my bedroom. Later in the poem we are told of the Sluggard's garden:
I pass'd by his garden, and saw the wild brier,
The thorn and the thistle grow broader and higher;
Which would be a perfect description of Abney Park, in which his memorial now stands among grandiose brambles.
Thursday, 2 June 2011
Worrywart
I have just this second been sent an e-mail containing a word I'd never hear before: worrywart. Isn't that a lovely word? It means exactly what you'd think it means: somebody who frets too much*. It's beautifully alliterative and the OED says that it's been around since 1956, and I've just found it in a magazine from 1937. So far as I can tell, the only reason that I've never heard of worry-wart before is that it's an Americanism, but such a beautiful one.I was told last night that worriers live longer. I'm such a carefree and debonair sort of fellow that this threw me into a panic.
Worry, by the way, originally meant to strangle, but its meaning has slowly weakened over the years until throttling has become a mere irritant. Mind you, my tie still worries me.
Which reminds me of a concrete poem by Guillaume Appolonaire. The idea of a concrete poem is simply that you write it in the shape of the subject. The following translates approximately as: The painful tie that you wear so smartly, take it off, civilised one, if you want to breathe easily.
*And I don't mean a guitarist, although guitars are highly strung.
Sunday, 29 May 2011
Beer Lane
Beer, happy Produce of our Isle
Can sinewy Strength impart,
And wearied with Fatigue and Toil
Can chear each manly Heart.
Labour and Art upheld by Thee
Successfully advance,
We quaff Thy balmy Juice with Glee
And Water leave to France.
Genius of Health, thy grateful Taste
Rivals the Cup of Jove,
And warms each English generous Breast
With Liberty and Love.
And Chear is spelled like that. This picture and rhyme are not as obscure as the previous entries, and as my picture was rather shaky and disturbed by reflection, here is a good copy from the Internet.
P.S. If you see a poem up in a pub, do send it in.
Wednesday, 18 May 2011
Irriguous Poetry
Much of the time this blog is merely an excuse to quote poetry. It's like a money laundering joint, with etymology at the front and stacks of used verses in the back room. So today's word is irriguous which means moistened, and comes from the same root as irrigated. I came across the irriguous in an obscure eighteenth century poem by a chap called Lord Dreghorn who was hopelessly in love with his housemaid.He writes so sweetly of how she won't have sex with him even for money, of how she's hit him with a broom, a mop and a frying pan, of how he spies on her when she's bathing, and of how love has made him loathe his greenhouse.
Lord Dreghorn is also very good with his compound adjectives: tub-enclosed, coal-fraught, turf-kindled, heiress-married, art-created and fortune-hunting.
In fact, I shall copy out the whole thing, just for you, dear reader, just for you.
Nor Hammond's love, nor Shenstone's was sincere,
For, they, though poor, to high-born maids laid claim;
A handsome house-maid causes my despair,
And Nelly, not Neaera, is her name.
What though devoid of all coquettish care,
Bare-footed she, except on Sundays, goes,
To wash her hands forgets, and comb her hair,
Nor with her fingers scorns to blow her nose?
On ev'ry feature and on ev'ry limb,
Beauty and strength have lavished all their care;
A food too rich is skim-milk cheese for him
That would with her the city-flirt compare.
In vain, to win her, proffered oft have I
The gaudy ribbon, and the curious lace,
In vain displayed, to her relentless eye
The guinea's seldom unsuccessful face.
Repulsed, I often have indignant sworn;
Some freedoms often struggled hard to force;
But soon, too soon, severely checked forbore,
She more enraged, and my reception worse.
The brimful milking-pail, the empty can,
Th' unwieldy besom, big with prickly fate;
The nauseous mop, and hissing frying-pan,
Have fall'n, vindictive, on my guardless pate.
Yet I, infatuate! pursue her still;
Happy to lurk, insidious, and unseen,
Among the willows, nurslings of the rill,
That winds irriguous, through the washing-green;
For there, with forcible alternate tread,
From the soaked linen ev'ry stain to press,
The tub-enclosed, and unsuspecting maid,
Furls, unashamed, th' impediments of dress.
This scene augments my ardour to proceed,
Nor from the heart her cruelty to me;
Nay, she acknowledged once it did proceed,
Not from dislike, but difference of degree.
‘Tis true, for though she spurns my fond address,
Yet to her equals is no coyness shown;
She, unconstrained, will Tom the gard’ner kiss,
Toy, romp and wanton with the ploughman John.
Heav’n knows, for thee, sole mistress of my heart!
I to the meanest station would descend,
Drive whistling cheerfully the coal-fraught cart,
Or buttered milk from unscoured barrels vend.
With scanty wages and with weekly meal,
A thatch-roofed cottage and turf-kindled fire,
Content and happy, I through life would steal,
Nor envy once the heiress-married squire.
By thee rejected me my fields no more,
No more, my art-created gardens please;
I loathe my greenhouse, so admired before,
And undelighted wander through my trees.
Since I in grief must pine my youth away,
If disappointed of this virtuous maid,
How weak, how foolish, is it to delay,
The low, but lovely villager to wed.
What would my parents, what my kindred say?
What defamation would I undergo,
At rout, ball, concert, opera and play,
The jest of ev’ry fortune-hunting beau!
No four-wheel chaise, of nice new-fashioned shape,
Would ever stop at my dishonoured house;
No well-dressed footman, with tremendous rap,
Announce a visit to my humble spouse.
Fond youth, t’indulge the mean idea cease,
A flame disgraceful to extinguish strive,
And bear resigned, when, of the jolly piece,
A country-wedding shall they hopes deprive.
The besom filled with prickly fate is, by the way, a broom (here used by Nell as a weapon). I looked up Lord Dreghorn in the Dictionary of National Biography. I hoped desperately to find that he had married an Eleanor, but no. Two years after that poem was written Lord Dreghorn married a woman called Esther Cunninghame and had ten children.
The guinea's seldom unsuccessful face
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